The Slapton Line

Long sweeping curve of the bay 
Thread of yellow
Meets mist
And foreboding cloud
Disappearing into a charcoal sky.
Whipped up waves
Churn against the shoreline;
Light plays on the ever changing surface
Of indigo and grey;
A constant movement of the beast
A heaving mass of rolling wave
Surges and falls;
Hides the creatures that live beneath its surface.
No sign of porpoise or seal,
And where is that great Leviathan we once saw?
When eyes trained for hours
Were rewarded with
That great spout of water and arch of the tail;
That spectacle so great;
Nothing today but
Random illusions from
Effervescent forces,
The damp wind in the face
And voices blown away on salted air.

Haiku pattern – Tables Turned


At the end of March
We stepped off the planet
The world kept turning.

Our pace had to slow
With endless restrictions
Nature stayed at work.

We began to notice
Sounds so more distinctive
We listened more.

Birds became louder-
The blackbird, wren and thrushes?
You just thought that way!

We had quietened
And so insightful we saw more
That was nature’s gain.

Unhindered by us
Nature continued growing
The tables were turned.

What when this all ends-
Will we forget this learning?
We owe it to the earth.

Storm Approaching

Clouds of grey are churning 
High above in stratus;
Soughing of trees increases
With punctuated stopping
Under heaviness awaited.
Intensity foreboding;
Drawn to be outside
To feel the storm approaching
To feel the pressure dropping
Into deep depression;
Oppressiveness in air
A world more monochrome;
The road joins the sky;
Hedges lean in closer.
An air of caution heeded
With Heavy drop of rain
The turning off of light
Foliage hanging heavy
Birds going quiet.

Walk to Lydia Bridge

An ancient bridge 
Spans moorland gorge
Deep running
Clawing at the rock;
Smooth worn boulders
Undercut
And crystal pools
Dark hollows block;
A cobbled path will take us still,
Smooth worn by constant tread;
Age old route beside the river
Leads up to Lydia Mill.
Moss covered rocks line the way
Tumbling along its line;
Trees overgrown and leafy shrubs
Restrict this view of mine.
Sheep though graze beneath the boughs
To shelter from the rain,
Tucked in and hidden well
Till showers have passed again.
The way,though short,is special still
What waits is worth a view;
The water tumbles down with force
Primeval smells of damp earth ensue.
The climb is short
An ancient stile
Of stone is at the ridge;
Beside darkened pools the final task
To reach this ancient bridge.

A walk along the Shore

 
Awakened with  childlike anticipation, 
the world gives way 
to a shimmering haze of blue. 

An empty swathe of pale gold sand 
meets the eye and 
catches the breath
with a haunting beauty. 

Wind-blown and almost deserted,
but for
a solitary figure some way West.
A setting unheard of
but these are exceptional times. 

As if stripped of all unnecessary
accoutrement of human activity,
unadorned  
where land meets the sea.

Fine dust and grit from an onshore wind,
A translucent sea
held still and glistening;
soft, turquoise blue- 
a sheen against a pastel sky.
Cool sun
and gentle beams of light
cast shimmering lines
on the water surface
as it 
gently tickles the shore.
A shallow skin of water 
forming undulating pattern 
of shifting sand
and rhythms
play 
under the ever-changing sky;
shadows modifying the colour 
in a mesmerising way, 
Ribbons of blue green stain.

A gust of wind 
entombs 
faded footprints
which lead to water's edge.
Intuitively,
drawn to follow,
we too sink feet 
and set  our footprints there 
in perfect line;
our pattern is the same.

And with flattened stones
Sea- worn smooth 
in palms,
we skim the mirrored surface
and watch the spring
on the meniscus
spit and ripple. 
Concentric circles 
widen
to dissipating pattern
repeated as we play.
Instinctive is  the need 
to hold a shell 
or turn 
sea glass in the hand.
These are tactile pleasures
reciprocated every visit
on a walk along the shoreline.

We tread lightly:
take nothing but the air,
the freedom of the open space, 
our voices on the wind. 
sand in the hair, 
the breath of the sea ,
the memory in our DNA.    
 

Ruth Partridge 
     

Rule of Three

The rule of three a writer's trick
Memory facilitated,
Three facts, that's it. 

In children's stories, threes found here,
The Three Little Pigs
The Three Musketeers.

In fiction we remember three
Beginning, middle and end agreed.
A story group- a trilogy.

A Narrative that shows progression
Built up with tension 
Then released  invention.

Even  stooges came in three
Shakespeare made good use of these.
A student learns with ease.

Letters too  have this restriction 
Salutation
And valediction.

There's strength in three for sermon too
Three points made, then conclude
Expected rule
To err would fool.

Consider other speeches then, 
'Friends, Romans, Countrymen!'
Slogans Pen: 
Stop Drop Roll,
The 3 Rs toll,
Three  goals.

There's power of three
Makes a cube 
Rigidity of strength imbued.
Take a power away and strength is lost.
A flat square is not as strong.
Power gone.

Three-leaved clover, a fourth is rare;
Nature's power of three is there,
Three elements in air.

The Bible too has symbols then:
The three wise men,
The cockerel crowed three times again.
The third hour,the third day,
Three times in the garden at Gethsemane
The disciples forgot to pray. 

Father, Son and Spirit given
At Trinity the power from heaven 
Omnipotence is riven. 

Omnipresent
Omniscience
Power over all with love is meant.

A triune God of one in three
Blessed Holy Trinity.
The rule of three. 

Ruth Partridge     
   

Hidden Secrets

All is calm below 
The soughing trees above 
Protect this hidden space 
The depths I've learnt to love.
 
Richness in these lanes
Hold such secret there,
A hidden wealth of nature 
Makes me linger there. 

Echoes in the wind; 
Gentleness beneath the trees ;
Vibrancy beheld;
The beauty of the leaves. 

Pastel shades of green 
Whispered feathers blown.
Muted creatures stirred
The lane gives up its throne.
 
The secret lives it holds 
Twisted stories it could tell
of folk who walked its path
This lane I know so well.